New Releases Dance February 2011

0:01 The track you are listenin

All right guys, there's new releases CDPool 2011 February the dance issue kicking off with track one, disc number one. Right, this time because I have done quite a few, I've been a bit nutty, I'm going to act very sensible, okay? I'm now going to act exceedingly sensible when I do this preview video of the new releases from CDPool. Thank you very much, thank you so much. As you can see, I am now standing here in front of the camera The DJ Tutor will be talking directly to you whilst you are also listening to the beautiful sounds jiggling through your ears. Thank you. The track you are listening to is track one from disc number one and it is being played on this particular CD player over here, which is to my right, which is to your left, depending on where you are situated in the room watching this particular video. Thank you. I will now stand here in front of this mixer facing the CD players giving me ample opportunity

Press the buttons which are adjacent to me, close to me on CD player number two. The reason I'm going to be pressing those particular buttons is because very shortly, once I finish talking to you, I am going to then start track one from disc number two. As soon as you've had enough orgasmic experience of track one from disc one. I will now move back here to this position while Lee Mills from the States That was track one from disc one, of course, as I said earlier, from the dance issues from CDPool from February 2011, known as 2011. I'm now going to position the volume slider control up on channel three. The reason for channel three is because that's precisely the channel This CD player is plugged into. I'm now going to take my index finger and I'm going to press this button here with a lighty shiny bit around going green flashy flashy. And it also has an arrow, a slash and two little oblong bits facing upwards. The arrow is to indicate to me that that is for play. The slash here also indicates that I've just been. The other one here, the two long slanty bits, no, the bits going that way is a pause. So by me pressing that...

We'll make the track start as follows. You are now listening to track one from disc number two of the same genre, which is this one here, which is the dance issue from CD Pool Banking. Me stand still? I couldn't even stand still if my feet were sellotaped in the ground. I'm super glued. I'd still get up.

3:15 Doctor and get my feet amputated

Probably lose a lot of skin though, it wouldn't be very good. Because I'd have to go to the doctor and get my feet amputated. Probably then if I got my feet amputated, all the blood would squirt from the bottom of my legs, I'd probably die. It'd be a silly thing to do, wouldn't it? I think I'll stay away from having my feet glued to the floor. Feet glued to shoes though, that'd be great, couldn't it? Because you'd never have to take them off. Probably get rather smelly because your socks would stay to your feet. That was rather graphic. You'd never be able to change your socks, would you? Right, I'm going to be very personal here. Keisha. I'm sorry, I don't like Keisha. She always talks about herself and getting drunk drinking that Janiels. Doesn't she? She does. I woke up with a bottle of Jack. It's like, I prefer to wake up with a woman. Gosh, it's hot. Oh yeah, she is. She's, um, yeah, she is. She's nice. I mean, like, would you say no?

4:50 You've got a bounce going on here

Would you say no? No, what? You know, if Keisha came up to you and went, Hi Lee! Do you want to come over to my place and have a quickie? What would you say? If she talked like that I'd run away. She may be sucking the balloons, the Healy Mat balloons. Alright, give me another one from... Okay, track number 5 from disc number 1. Again, sorry I'm being... Track number 5 from disc number 1. Thank you. So you've got a bounce going on here. Straight away looking at the wave format, we've got the beat but we haven't even got that sub-bass for the beat because the wave format is slightly higher as it moves along. You will see, wave format like this, tiny break, gets a bit higher. Now I can hear in the background a very subtle but deep rolling bass. That very subtle deep rolling bass right here. We've got a break here. Give me a track number from disc number two.

Hey, okay. I'm now going to play track number 8 from disc number 2. Number 2 is of course the second one in the series from the Dance Issues February 2011. Thank you. Yoga Tones, Gambling Man. Right, I'm going to play the Keisha tune. The Keisha tune is from disc number 1, it's track 9. It's entitled We Are Who We Are. It's very clever actually. Brilliant! We, and then an R. Who we are. Right, here we go. I mean, that is just Keisha straight away, isn't it? That first sound, like, you know, and she's going to come in with, Oh, it's a bottle of Jack. I was outside with my friends. Nobody really loves me, but I don't care because I'm really cute with my bottle of Jack. Sorry, I was being sensible. I'm really cute with my bottle of Jack.

7:40 Keisha, go straight to bed, you naughty, naughty girl

He talks about his stuff and a bottle of Jack Daniels in Getting Drunk and Not Staying Home. Because Mummy and Daddy will smack her on the bottom. Keisha, go straight to bed, you naughty, naughty girl. You shouldn't be up with bottles of Jack. My goodness me. Jack, come down here. You leave my daughter alone, you naughty man. Thank you. It's alright, it's alright. It's Fred Flake. Now, Fred Flake is half of the Alan Braxey thing and they're the ones that did that wicked tune from a while ago entitled Fred Flake, Alan Braxey. Thank you for watching.

This transcript was produced automatically from the audio of the video and may contain mistakes.