What to say on the microphone
On YouTube this video is called What to say on a Mic, Night club/ Mobile enviroment Mr DJ.
What this lesson teaches
The question he is asked most about microphones, and the demonstration in the middle is the best piece of teaching in this course.
Why there is no script
If he could answer what should I say, he would be a millionaire - because every night is different.
And he closes the obvious objection: even with a residency, same club, same slot, same equipment, every Saturday is different. Even a hotel booking you every week for weddings - every wedding is different, because every crowd, feel and vibe is different.
Some crowds are hyped and want to be talked to. Some do not want you on the microphone at all. Reading which is the job.
The rapper analogy
His model, and it is the right one.
A rap artist writes a rap at home and performs it over the beats. A good one does that well. An exceptional one walks into the venue, looks at the crowd, and invents it on the spot.
That second thing is what a DJ with a microphone has to do every night. Which is why: if you think you can turn up with a list of things to say, you might as well leave the microphone at home. People are not stupid. They can tell.
The demonstration - the dead version
Somebody comes up: it is my husband's birthday, he is Derek, he is 30.
The bad announcement, which is what most DJs say: "Happy birthday Derek, from your wife."
His analysis of why it is the most ridiculous thing in the world: you have told him what he already knows. Everyone around thinks it was a waste of time. Derek thinks oh, thank you very much - and that is it.
The live version
Watch what he does instead. It is worth reading as a structure rather than a script.
Have we got anyone out there called Derek? Derek, where are you? Put your hands up if your name's Derek.
Five or six hands go up. Now several tables are involved, and Derek's mates are starting to wonder whether this is about him.
Derek - are you 12 today? Anyone 12? No? You're 14? If you're 14 you shouldn't be in here.
Right - Derek, how old are you? 22? 23? 24? 30!
Thirty? You look older than that, mate, you've got a beard. Right, ladies - let's give him a big round of applause. Derek, here tonight with his wife and his mates, getting drunk. Thirty - this one's for you.
And the next record straight in.
Why that works
Three things are happening, and they are all deliberate.
It is a question, not a statement. The room has to participate to find out the answer, so they are listening.
It involves his mates first. Derek wants to be the centre of attention, and the fastest route to that is getting the people around him invested.
It ends into the music. The announcement resolves into a record rather than trailing off.
And the general principle underneath: in radio you are talking to thousands you cannot see; in a club or at a function you are talking to a room that can see you. Here you are talking to one person while involving everybody - and that is the skill.
On being loud
His own note, and it is reassuring for anybody who is not naturally extroverted: people see him on camera and think he is loud, but walking down the high street he is quiet.
The explanation: in that environment you are the centre of attention, and you have to act like it. It is a role you step into, not a personality you need to have.
And the payoff for the audience: if for ten seconds you can make somebody in a room of a hundred or a thousand the centre of attention, they will love it - even if their face says why is he talking about me? Very occasionally somebody will not like it. 99 per cent of the time they will.
And on announcing records
One last piece, easily missed and worth having.
The worst thing in the world is "that was, this is, that was, this is."
Describe the music instead. His own example: here's the latest cut, we got this from America, it's on Strictly Rhythm, and we're going to play this one for the ladies in the corner.
Same information, except now there is a story, a place, a label and somebody it is for. That is what speaking from the heart means in practice: not sincerity, but having something to say about the record beyond its name.
Contents of the video
0:00 Different, every, talking these
Right folks, this is video number two in a set I'm doing talking about using one of these guys. In the first video which I made a couple of days ago I was talking about using one of these guys in a radio environment. In this one I'm going to be talking about these guys which is a microphone in a mobile stroke and nightclub environment. Now they're sort of going to be discussing what to say on the microphone but a lot of people have said right they've actually asked me what do I say on the microphone? What are the best things to say? If I could answer that question, I would be a multi-millionaire. The simple reason for that is that every nightclub, every mobile, everywhere around the world is completely different every single night. Not one night is the same. In other words, if you are a DJ and you have a set in a nightclub on a Saturday from 10 till 12, every Saturday will be different, even though you're there every Saturday at that specific time.
Let's say you've got some sort of residency somewhere, then even if you take your own gear and you set it up, guaranteed it will be different. And what I mean by that, let's say for example you're booked in a hotel and they've asked you to come every Saturday night because they've always got a wedding on. Well the thing is, every night is different because every wedding is different. Yes, people are getting married, but you've got different crowds, you've got different feels, you've got different vibes. Now that is the key point. Crowd, feel and vibe. For example, some crowds will automatically be hyped up and you can tell they want to be talked to. They want you to use the microphone. Sometimes you'll have crowds that don't want you to use the microphone. Now then, think about it from this point of view. A rap artist, okay? They will be at home and they will write a rap. And then they will go out and they'll say that rap over some sick beats.
2:25 Venue with a list of what
Okay, now Adam, again a good rap artist will do that fantastically, but an exceptional rap artist will not only do that, he will go to a venue, he will look at the crowd and he'll come out with this wicked rap that he's just inventing like this. Bang, bang, I was walking down the street, I got shoes on my feet, I'm extremely neat and I'm very, very sweet. Fair enough? Okay, but that is in essence... What a DJ has to do every single night of the week when he turns up and he's got the microphone. Because if you think that you can go to a venue with a list of what to say, then you might as well not bother taking the microphone. Because people aren't stupid anymore. People know. People can tell. For example, let's say...
You have a lady come up to you and she says, well it's my husband's birthday today, his name's Derek and he's 30. Right, now then, if you're going to say something like this, then it's better not to bother. Happy birthday Derek from your girlfriend, sorry, happy birthday Derek from your wife. Now, that is the most ridiculous thing to say in the world, OK? Because all you've done, you've basically told him what he knows. The crowd around you are going to think, what a waste of time. And he's just going to think, oh well, thank you very much, that's it. What you've got to remember, in radio, you're hopefully talking to a thousand people plus, maybe ten thousand, maybe a million, but you can't see them. In a nightclub and a mobile environment, you're talking to maybe a thousand people and they can all see you. But in this case, you're talking to one person, but you need to get everybody involved. So here's another way of doing it.
Alright folks, have we got anyone out there by the name of Derek? Derek, where are you? Now straight away there's probably five or six people called Derek. Alright Derek, put your hands up if your name's Derek. You may get one, you may get two or three. Alright Derek, are you twelve today? Anyone who's twelve? Derek, who's twelve? So if his mates are there, his mates and Derek, straight away they're going to start thinking, ah, maybe they're on about me. So now you've got his mates involved, which is very important because he wants to be the centre of attention. Right, so you're not 12. Well, you're 14. If you're 14, you shouldn't bloody well be in here. Get lost. That's the phone. Leave it. Alright, and then you go on and you think, right, Derek, how old are you? 22. 23. 24. 30!
5:08 Me and they think, my God
Is he 30? Bloody hell, you look blinking old there, mate. You've got a beard. My God. All right, ladies, listen. Let's give him a big round of applause. Derek, he's come here tonight with his missus and his mates. He's getting drunk. 30, this one's for you. Bang, next tune straight in. Now, straight away, you've got him involved because he's loving it, but also you've got the entire room involved because you're grabbing their attention. You're not going, um, um, uh, Derek, happy birthday, mate. Like that. Now again, it's like I said, every night is different, okay? Now if you almost, you've got to bang, you've got to hit them, you've got to be loud. Now people look at me and they think, my God, he's loud. But the trouble is, I can walk down High Street and I'm like really quiet. I think it's because when I'm in sort of a mobile environment...
Then all of a sudden you are the centre of attention and you have to act as though you're the centre of attention. And again, people who go to say a nightclub or a mobile environment, there's maybe a hundred, a thousand people there and if for one second or ten seconds you can make them the centre of attention, they are going to love it. Even if the look on their face is like, bloody hell what's he talking about me for? Occasionally... Very, very occasionally they won't like it, but it's highly unlikely. 99% of the time they will absolutely love it. So the only thing I can suggest to you is like a rapper. When he writes his lyrics down, okay, he writes the lyrics and he'll say those lyrics and they're fantastic. If he does it correctly then that's brilliant. But a good rap artist can go into a venue and just look at the venue, look at the crowd and come out with these lyrics.
And the people love it because he's speaking from the heart. That's what you have to do. If you go to your venue and you speak from the heart, and you just think of things to say, just look at situations, look at people, look at the way they're acting, talk about that. Look at, you know, think of the music. Don't just say, that was, this is, that was, this is. That's the worst thing in the world. Describe the music. Alright folks, here's the latest cut. We got this from America. It's on Strictly Rhythm. We're going to play this to the ladies in the corner. Go, oh! I hope this has been a help, any more information give us a nod, practice and enjoy.
This transcript was produced automatically from the audio of the video and may contain mistakes.