DJ LESSON and CDPOOL new releases Global, Underground April 2013

0:00 The new releases, of course

Right, ladies and gentlemen, another tutorial and also new releases for you for CDPool, or from, should I say, CDPool? The new releases, of course. It's not physically from CDPool, it's just me. Anyway, in this one what we're going to do is a demonstration, a bit of a tutorial, and also, yeah, as usual, give you the new releases. I'm going to play track 1 from the Global releases, April 2013, and also track 1, for the time being, for the Underground releases, April 2013. Now, this tutorial is about bringing in a really good, fantastic tune that's big, let's say, at the moment. Now, of course, that particular track starts and finishes because that's how it starts and finishes because if you play it, it starts and when it finishes, it finishes. But how about playing it slightly differently? How about giving it a unique introduction? And how about doing that by playing another track first

Explained. Right, this one here is from the global releases. This is Todd Terry. So straight away, we've almost got an introduction to this track. This is Pinkie Ella by the way and Pinkie Ella goes everywhere with me. She's been to Las Vegas, she's been to Ibiza, she's been to France, she's been to Germany, she's been to Switzerland and she'll be going to Germany again. The April Global releases, this is track one from disc number one. Straight away we had an introduction even to that track and then this one here is from the Underground releases track one, disc one. The melody of this reminds me of the Cure. Now this at the moment is a relatively big track so instead of just starting it like that I'm going to give this track its own introduction and I'm going to use another track

2:41 This is the Todd Terry track

So, first of all, again, because it's a new release, you want to hear the tracks. The Todd Terry tune sounds a little bit like this. For a lot of people who've never seen these kind of videos before, you're probably thinking, what on earth is going on? The people who do see them know exactly what's going on. They're very random. So, this is the Todd Terry tune. If you do want any more information on the new releases, check out the lickable clink down there in the description. It's a lickable clink. It's down there. Stick your tongue on it. It might taste good. Alright, so this is the Todd Terry track. So now let's give our big tune an introduction. So, again, I haven't got any headphones on, so I'm going to try and talk you through. I've got the low-pass frequency filter on and I've just turned the dial using the DJM2000 to turn it a little bit, just slightly. Always counting my bars up on the Todd Terry, filter down, quiz tune.

4:43 Check out the new releases on the CDPool website as well

Today's coming out on the Tod, filter out, Tod Terry, filter in, on the Chris tune. What I tried to do there was just have that high frequency from the Tod Terry and overdub that on the track here by Chris Malinczyk. So good to me. This is the Zink remix. Don't forget Underground Track 1 and Global Track 1 from Disc 1, both on Disc 1. Check out the new releases on the CDPool website as well. Alright, Underground playing. Let's go and check out another track from Disc 1 from the global releases. Sometimes a transition doesn't have to be a blend. It can just be like chuck it in. This one here is track number five. Again, very good old school producer. This is Joey Negro and Starburst Band. This track here is entitled

Okay, once again from Global, track number 5 from disc 1. Happy sort of vibe this one. I'm going to check this one in. I do like this track. This is track 3. This is Dusky, nobody else. It's the original mix and I'll tell you what, if you ever get to hear this in proper stereo, it is absolutely awesome. Fantastic, super duper, wonderful, exquisite, beautiful, marvellous. Fan-dabby-dozy. Speed it up a little bit. I'll wang it forward. It's very deep, but at the same time it's got that chuggy kind of vibe and the bassline, I tell you what, the bassline is like going to a corner and fiddle with your bits. Kind of good. Excuse me. Here we go.

7:52 Wonderful track this one

Wonderful track this one. Track 3, disc number 1, from the Underground releases. Again, another way of doing a transition. No beatmatching, nothing at all. We're just listening to the sounds. I moved the filter on the Dusky track and just let the other one glide in. This one here is track number 10 from disc 1, Yo-Yo Honey. Yo-Yo, it's the Marnie Paradise mix. This is where it comes in. So we had a beautiful sort of smooth introduction of this track from a good sort of like four, eight bars even. All right, we'll play one more from disc one, the global releases, then we'll get to disc number two. Wind us forward a bit. I reckon they should have wang in the English dictionary. Wang. Terminology used for moving music forward. To wang. Hmm.

9:57 That wanga over

A wanga is a person who moves the music forward. So to wang is to move it, and the wanga... Can you imagine people dancing? Oh look at that wanga over there! What do you mean? Alright, here we go. It's funny isn't it how you can actually just make yourself laugh. There's got to be something really strange about that. This one here is track number 5 from disc number 1 and this again is a brilliant, brilliant tune. Well done, CD Paul. Whoever compiles the tracks, good on you because you've got a good selection here this month. Definitely. Freak 7. Surreal. The Sebo K main mix. Stonking tune. Yeah, I'll wing it forward a bit. Here we go. Disc 1 Global. Sorry, Disc 1 Underground. Sorry, I'm confusing my... Confuse yourself. Don't confuse yourself. Global Underground. Get that one out. Okay.

13:02 This is Dudley here!

I'm not taking a piss. Dudley! This is Dudley! And anyone from Birmingham will understand what I'm saying. Yeah, Dudley! This is Dudley here! The train now stops at Dudley Station! Yes it does, Dudley! Okay, this one here is track number 1 from disc number 2 from the Underground and it just proves how eclectic the selection is on these CDs. It's just like we'd chuck in anything and everything. You know, we've got that sort of slow, beautiful African vibe and then it just goes party. But disc number two. Hey Claude, what do you love? It's the original muh. It's the original muh. That's because you've just got muh on there. Muh. Not muh-uh, just a muh. Can't fit in but I'm presuming if I do that it'll scroll up and down, yes it will. Waving forward a bit, I do like this kind of vibe. It's very soulful, very deep, but at the same time it's got that...

15:29 Reminds me of a sort of tune Kerry Chandler would play

Uplifting, just yeah! Come on! Reminds me of a sort of tune Kerry Chandler would play. It's quite a big tuner at the moment. It's Need You 100% and we'll bung it on. Bit of a different remix for you. The Duke DuMont featuring A-M-E. Need You 100%. It's the Maze... Hold on, let's get the right name here. This too. It's the Waze and Odyssey remix. There it is. That's what it says. Waze and Odyssey Remix, really good cut. I'm going to finish off with the Kinky Movement. Okay? Let me show you. Here. Thank you very much. That was my Kinky Movement. And now this is this Kinky Movement. This one here is track number 11 from disc number 2 from the Global Releases. You have been watching and listening to the new releases from CD4. Thank you very much. As ever, these videos are completely random.

18:01 A bit of fun and it gives you an insight into the tunes

A bit of fun and it gives you an insight into the tunes. What I do like mostly about this track is the slow tempo and just that nice, almost like old school kind of house vibe where the tempo is concerned. Dance music today seems to be going faster and faster. The normal dance music of today was, I suppose, speed-wise, classed as like almost fast hardcore in the early 90s. Because hardcore was around about, a lot of people are going to go, no it wasn't, it was like 57 and a half, you're really wrong. No. Hardcore around about sort of the early 90s was, you know, around about sort of the 130, 140 BPM. A lot of modern day house tunes are around about that tempo because they like that sort of vibe.

This, on the other hand, 120 BPM was almost the original speed of house music in the mid-80s. So it's got that, you know, a good way of starting your house set. Start it slow, build it up. This one here, kinky movement, need to dance, beautiful. These are the kinky movements, thank you. Practice and enjoy!

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