Skip to main content
12:16

DJ LESSON and New Releases CDPOOL GLOBAL March 2013

Lesson Intermediate Stage 6: Performance Technique November 2013

Contents of the video

0:01 We've got some more new releases for you here from CDPool

Ladies and gentlemen, we've got some more new releases for you here from CDPool. We are in Switzerland. I'm at Gita and Claudia's house. It is Friday and we're looking at the new releases, CDPool Global March 2013. I'm playing track number eight from disc number one and I really don't know why they make these things because if you're trying to eat something, you haven't got a mouthful. You know, I mean, we all need holes. And you'll notice they've done this really well because you've got the holes for the eyes but nothing for your nose or your mouth. So it's absolutely bloody stupid. Whoever designed this wants their head looking out. This one, Global March 2013. Check out the link in the description. It will take you directly to the CD4 website, practice and enjoy. Let's have some fun and play some tunes, right? Yeah.

Sorry, quite often with global or house music there's a very good long introduction. The next track it comes in, well when I say it comes in, the bass line comes in virtually on the first kick. So what you need to do, you need to pay great attention to the keys, pardon me, because if you bring it in... At the wrong time, or with a wrong track, it's going to sound absolutely atrocious. So, let's just... The future is yours. The future is yours. Alright, so I'm demonstrating the new releases from CDPool. Also it's a tutorial. There's a bit of a break going on there and what I'm going to try and do, I'm going to have a listen to that break and see if we can work that break into that track over there. So let's have a listen to that particular break. Yeah, I reckon that sounded quite cool actually. So I'm going to find... Hold on. Alright, I've got a cue point. Find something else, got 52 seconds left.

6:58 Sorry, no, I'll start again

If you've got 52 seconds left of the filter, of course you can turn the filter on and off. In other words, you engage the filter and then you move the filter to get the filter effect. What you can do is you can engage the filter but not have it on and then... Sorry, no, I'll start again. Don't have the filter on, alright? I'm losing my mind here. There it is over there. My God, it's gone. What you can do is you can turn the filter so... It's ready to go at the point at which you set it. And then press the button to have the filter on, but what will happen is it will turn on at the point at which you set the filter. Now I'll explain. First of all we've got the filter off here and it's set on the DJM900 to 12 o'clock, which means even if I have the filter on, we're not going to get any effect at all. Like so. That's just that doing it.

9:55 There you go, subtle differences, tiny but work

Alright, so if I move the filter we get the full effect. What I'm going to do now is I'm going to turn the filter dial and now turn the filter button on so we get the filter to start at that point. Other way. There you go, subtle differences, tiny but work. Thank you for watching.

This transcript was produced automatically from the audio of the video and may contain mistakes.

The stages are the way through

Below this line is the back catalogue, newest first. Useful for browsing, but it is not a course - the videos are in the order they were filmed, not the order to learn them in. Work the stages instead: each one assumes the one before it.

Latest DJ Tutor Videos